Ever since its release in 1961, Breakfast at Tiffany’s has been widely regarded as one of the most iconic films of the 1960s, capturing the era’s unique glamour and fashion.
Like many of her other works, Audrey Hepburn put on a charming performance as Holly Golightly, who is a free-spirited young socialite in New York, searching for a wealthy husband, when a struggling writer, Paul Varjak, moves into her apartment building. Despite showing interest in each other, the two avoid dating because of Holly’s pursuit of wealth and fear of vulnerability. The film ends when Holly decides to embrace her love for Paul, symbolizing her choice to stop running from her life.
Breakfast at Tiffany’s is known for its iconic song, “Moon River”, by Henry Mancini and Johnny Mercer. This gentle, warm tune, serving as the theme of the movie, ties the entire film together. Mancini won the Academy Award for Best Original Score in 1962 for his work.
Even after 65 years, the film’s wardrobe remains an emblem in movie history. Givenchy and Edith Head created costumes that were visually and aesthetically pleasing to see. These elaborate outfits, ranging from glamorous to casual, elegantly showcase the film’s trend-setting fashion.
Another standout strength is the cinematography. The filmmakers used vibrant Technicolor, further enhancing the romantic feel throughout the picture. It also relies on close-up shots, making the scene feel emotional and intimate.
Despite all this, Holly’s upstairs neighbor, Mr. Yunioshi, who is played by a white actor, Mickey Rooney, remains a controversial topic ever since its release. The film perpetuates blatant yellowface, with buck teeth, a thick accent, and this ignorant and racist performance further reinforces toxic, harmful, exaggerated stereotypes.
While the film’s insensitive caricatures cannot be overlooked, Breakfast at Tiffany’s remains an important part of film history. From its captivating performances, memorable score, iconic styling, and artistic cinematography, it earns a solid 4 out of 5.
